Working on the Night Moves with Bailey Blue

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Bailey Blue looks like the type of woman Bob Seger would write a song about and, in this scene from “Super Size Me: Monster Cocks” (which, incidentally, was the alternate title for Seger’s 1980 Against the Wind album—it was supposed to be called Massive Cocks Against the Wind), Blue and co-star Billy Glide need to return to the backseat of the ’60 Chevy.

Aside from the tattoos, there’s something 70’s Buddy’s Hot Older Sister about Bailey Blue, who tries her best to accommodate Billy Glide in “Super Size Me: Monster Cocks.”

Blue is not some machine-crafted piece of sex plastic, nor is she a juicy and undulabulous pinkening fleshmass. Instead she looks capable and a little bit wild, just this side of lithe, like a field hockey player in touch with her porny side.

So there she is in a movie about “Monster Cocks” and it just doesn’t seem like it’s happening for our couple. Glide struggles to stay inside her, and she does her best to keep him hard.

Both of these people are affable and good-natured. Maybe it was a long day. These things happen, and will again. I have been on sets in which the couples hated each other and weren’t afraid to show it. Glide and Blue, on the other hand, look like they want to make it work.

And eventually it does. There are no evil looks or recriminations. There’s lots of eye contact and perseverance. And maybe Billy Glide sees in his young partner the type of feathered-haired, Kristy MacNichol/Stevie Nicks hybrid he remembered from his youth to finally deliver the goods, so they could all go home.

Buy “Super Size Me: Monster Cocks” here

Previously on Porn Valley Observed: “Slurpy Throastsluts”—porn movie or beloved rodeo clown?
See also: Hustler

About Gram the Man 4399 Articles
Gram Ponante is America's Beloved Porn Journalist

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