I visited Otto Bauer‘s Filth Factory 4 set. It was important for me to see how our nation’s filth was produced, and if conditions were conducive to continued production.
I have always liked Audrey Hollander, even if Catherine made me weep bitter tears. She is one of the more striking people working. I think she looks better now than ever.
The scene called for her to be a dissolute souse. She was swigging from a bottle of
Goldschlager when her keeper/boyfriend, Harley, came home to find her drinking all his alcohol.
He began to spank her, but director Bauer wasn’t pleased with the spanking.
“Don’t make me come over there and spank her myself,” he said. I think Harley wanted to go light on Hollander because she is Bauer’s real-life partner.
“How long for the spanking?” Audrey asked.
“The only way you can get out of the spanking is after you’ve sufficiently begged to be fucked,” Bauer said.
Harley is either Austrian or German. I am not the first person to compare his accent to Arnold Schwarzenegger’s circa 1990.
“What is it you are doing?” Harley demanded, seeeing his precious Goldschlager draining away.
“I don’t – ” Hollander began.
“You know nothing! Nothing you know!”
Brilliant.
Maya Hills was also in the movie. I was not there to see her scene. Suddenly I had a craving for Goldschlager.
Sophie Dee, with whom I have an inalienable bond, thought it was important to pose outside. I think Van Nuys was better for it. Van Nuys has nothing in common with her native Wales, save for its bucolic countryside, fog-shrouded steeples, and dew-capped fields of heather.
Meanwhile, Ashley Blue was inside, busy striking insouciant poses.
You can see that I forgot my camera. These photos, you see, are professional ones. I will credit the cameraman when I learn his name.
Previously: Puttin’ on the Filth; I’ll see you on the dark side of Mika Tan
See also: Ninnworx
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