Ghouls Gone Wild

Studio: VCA
Director: Alec Metro
Cast: Lexi Bardot, Jenaveve Jolie, Kimberly Kane, Eva Angelina, Phylisha Anne, Tomi X.

Portions of this review originally appeared on Fleshbot

Summer’s here and it’s time to think about ghouls. Why? Because Mr. Larry Flynt sent them to us in a box.

A box, do you get it? THEY CAME IN A BOXXXXXXX.

While this is most assuredly an odd time of year for this Tales from the Crotch-style outing, as long as the weird lighting, spooky music, and Fangoria makeup don’t obscure boobies, I don’t care if the talent are dressed as reindeer.

Fetish model Tomi X. delivers a sardonic introduction to each scene.

Lexi Bardot starts off the festivities with a stairtop stuffing. We thrill as each thrust brings her closer to falling down the stairs to the camera equipment below as eerie music plays. Her scene partner is uncircumcised and the shots of his face were taken at different times than the shots of his “pop”. Scary!

Purple-booted Phyllisha Anne halves her leggedy frame to deliver a blowjob, and is rewarded with a fuck on the hearth that looks painful, even on the highly-polished floor. Scrapy!

Director Metro is big on the flying V blowjobs, because the very next scene similarly starts with one, as presented to Marcos Leon by Eva Angelina. Angelina wears a pair of ghoulish granny glasses. Sight-impaired!

Their scene is pretty tasty, except that it appears to have been shot with one camera. A change in angle, which would be handled easily by two or more cameras so transitions seem fluid, instead result in Angelina screaming with her breasts rocking sideways in one shot and her looking malevolently at Leon and her breasts pistoning vertically three seconds later.

There was either only one camera or that couple can stop and start on a dime. On a lighter note, Leon’s “load”, as we call it in the afterlife, was copious enought to elicit glee from Angelina, who knows from loads. Supernatural!

After a pleasant if uneventful scene with Jenaveve Joli, Tomi emerges from a cloud of dry ice that must have just been delivered to introduce the last scene, featuring a Missing Persons-coiffed Kimberly Kane giving new meaning to the term “bone orchard”. She is so pale that the reult of her graveyard strivings barely shows up on her skin.

Lately VCA is pairing many new movies with bonus “classic” discs, so the Ghouls Gone Wild package contains an extra DVD of horror-tinged porn from the archives.

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Gram Ponante is America's Beloved Porn Journalist

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