Studio: Pink Visual
Director: Jonas, Rico
Cast: Brooke, Brea, Ariel, Denise, Naomi, Hailey, Amy Ried, Ashley, Naomi
Portions of this review originally appeared on Fleshbot
This movie opens cold. There is no jingle, credits sequence, or scrolling exposition about Emperor Palpatine. Instead we are suddenly following Hailey (we don’t even bother with a last name until Amy Ried) as she searches for someone to indoctrinate. She finds Brea, sullenly eating a quesadilla. Like each scene, the intended will ask who the guy with the camera is, and the director will reply that he’s casting a TV show. Exit to the Sex Couch.
Each scene presents a vaguely plausible setup, and what is always compelling about these movies is that the initial meeting is in a public place. I ate at that taco stand! I’ve been to that furniture store! Pasta Roma has good slices!
We know that everyone involved had a blood test and showed two forms of ID before cameras even rolled, but the variables – the disapproving look of the furniture store owner, for example, sets these faux documentaries apart.
My favorite scenes are between Naomi and Brooke and Ried and Denise. The last scene, between Ashley and Ariel, stretches believability just a little bit as Ariel feels compelled to say, “I’ve never seen a naked women before.”
Porn would crumble and disappear into the ground if there wasn’t at least the possibility that the woman with the shaved pussy, piercings, and coccygeal tattoo wasn’t lying.
Leave a Reply